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The Last Reel is Going Global at International Film Festivals

The Last Reel continues to screen at international film festivals around the world, including the Los Angeles Asian Pacific Film Festival, 23-30 April 2015, the Far East Film Festival, Udine, Italy, 23 April – 02 May 2015, before returning to the US to screen at the new Bentonville Film Festival, 05-09 May 2015.

The Last Reel Director Sotho Kulikar accepts the prestigious Spirit of Asia Award at the Tokyo International Film Festival 2014

The Last Reel Director Sotho Kulikar accepts the prestigious Spirit of Asia Award at the Tokyo International Film Festival 2014

The Last Reel has already won two international awards, including the ‘Spirit of Asia’ Award for Director Sotho Kulikar at the Tokyo International Film Festival in Japan in October 2014 and the ‘Best Supporting Actor’ Award for Sok Sothun at the Asean International Film Festival& Awards in Malaysia in April 2015.

International Film Reviews

The Hollywood Reporter
“With The Last Reel, Cambodian cinema’s resurgence as a filmmaking force continues apace… Sotho Kulikar conjures remarkable performances from her lead actresses in an attempt to reflect historical schisms through the tropes of rebellious-daughter family drama.”

Empire Magazine
“The spotlight falls on another lost tradition in Kulikar Sotho’s The Last Reel, a deeply moving memoir of the golden age of Cambodian cinema that was swept away and all but eradicated by the Khmer Rouge in the 1970s.”

The Playlist on Indiewire
“The Last Reel” relates a personal, cross-generational tale of love and hate to the loss of cultural heritage and identity that occurred when Khmer Rouge outlawed moviemaking and destroyed a thriving national industry, and if only in its own last reel, it has both educational and deeply emotional impact… affecting and gripping… a passionate cri de coeur.”

Background

The Last Reel is one of the first feature films to be directed by a Cambodian woman and is generating significant international interest. The Last Reel was shot entirely on location in Cambodia during 2013 with a cast of leading local talent, including Ma Rynet, Dy Saveth and Rous Mony. It is a Hanuman Films (www.hanumanfilms.com) production.

“A lost film buried beneath the Killing Fields reveals different versions of the truth. In an abandoned cinema, rebellious teenager Sophoun discovers an old film starring her mother, offering her the chance to dictate her own destiny at last, but at the cost of uncovering some dark secrets from the past about her parents lives during the Khmer Rouge regime.”

Forthcoming Film Festival Screenings

Los Angeles Asian Pacific Film Festival
4.45pm on Saturday 25 April 2015 at the Downtown Independent, 251 So. Main Street, Los Angeles.

4.30pm on Monday 27 April 2015 at the Tateuchi Democracy Forum at JANM, 111 No. Central Avenue, Los Angeles.

Far East Film Festival, Udine
11.25am on Thursday 30 April at the Teatro Nuevo, Udine.

Bentonville Film Festival
5.30pm on Tuesday 5 May at the NWACC White Auditorium, Bentonville.

Previous Film Festival Screenings

Tokyo International Film Festival, October 2014: http://2014.tiff-jp.net/en/tiff/list_of_winners.html

Cambodia International Film Festival, December 2014: http://cambodia-iff.com/index.php/en/films/feature-films/cambodia-cinema

Singapore International Film Festival, December 2014: http://sgiff.com/

Helsinki CineAasia, March 2015: http://helsinkicineaasia.fi/2015/02/the-last-reel/

Asia House Film Festival, London, March 2015: http://asiahouse.org/arts-learning/film/asia-house-film-festival-2015/

Asean International Film Festival, Kuching, April 2015: http://www.aiffa2015.com/

Useful Links

Website
Visit The Last Reel website (www.thelastreel.info) to learn more about the film, including a fullscreen version of the trailer.

Facebook
There is also an official The Last Reel Facebook page for breaking news: The Last Reel

Online Brochure
View the online brochure at: http://www.thelastreel.info/public/documents/The%20Last%20Reel.pdf

Online Gallery
View selected stills, behind-the-scenes and awards at: http://www.thelastreel.info/en/gallery

Empire reviews The Last Reel as part of the Asia House Film Festival

Following the sellout success of The Last Reel at the recent Asia House Film Festival, Empire reviews the films on show in London.

The Last Reel actors Sok Sothun and Ma Rynet on set on The Last Reel

The Last Reel actors Sok Sothun and Ma Rynet on set on The Last Reel

“The spotlight falls on another lost tradition in Kulikar Sotho’s The Last Reel, a deeply moving memoir of the golden age of Cambodian cinema that was swept away and all but eradicated by the Khmer Rouge in the 1970s. This would make a perfect companion piece to Davy Chou’s exceptional documentary about Khmer-language film, Golden Slumbers (2011), and The Missing Picture (2013), Rithy Panh’s Oscar-nominated treatise on the disappearance of visual evidence during the Killing Fields era. However, one suspects this will be the sole chance that UK audiences will get to experience it.

College student Ma Rynet is tired of army colonel father Hun Sophy trying to marry her off into a prominent family. She is well aware that biker boyfriend Rous Mony is a bit of a rebel without a cause and concedes she is probably drawn to him because he is the complete opposite of what her reactionary father envisages for her. But her focus shifts when she flees from yet another argument with Sophy and takes refuge in a fleapit cinema.

As she watches a flickering, incomplete melodrama from the early 1970s, Rynet recognises the leading lady as her ailing mother, Dy Saveth. She is amazed to see the careworn woman who has put up with Sophy’s tyranny for so long lighting up the screen with her beauty and talent. So, she asks elderly projectionist Sok Sothun if he knows anything about Saveth and why the last reel of the picture is missing.

As she learns about the assault that Pol Pot launched on film stars and directors (whom he branded enemies of the people for raising false hopes about impossible happy ever afters), Rynet vows to recreate the lost footage by standing in for Saveth in the hope that, on seeing herself in her former glory and recognising how well she has raised her daughter, she will be able to exorcise the ghosts from her past and find some peace for the dreams she lost and the nightmares she had to endure.

Australian screenwriter Ian Masters got the idea for the scenario after visiting an exhibition that Chou had curated. However, it is not difficult to detect the influence of Giuseppe Tornatore’s Cinema Paradiso (1988) in places, particularly in the derelict picturehouse (which is, apparently, the Prasat Meas theatee in Battambang). But Sotho and cinematographer Bonnie Elliott make evocative use of all of their locations around Phnom Penh and it is a real coup that she was able to cast a director of the calibre of Sothun and a screen legend like Saveth, the former Miss Cambodia whose 100+ films included Norodom Sihanouk’s Twilight (1969), Tea Lim Koun’s The Snake King’s Wife (1970), and Hui Keung’s Crocodile Man (1972). Only around 30 of the 300 features made in the decade before Year Zero survive and this is a fitting tribute to them and the lost, but not forgotten artists who made them.”

Read the full story online:

http://www.empireonline.com/festivalsandseasons/main.asp?FID=1785

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